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      • 2025 STO May Precepts Sesshin
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      • 2023 STO Fall Retreat

 

Home The Original Frontier- A Serious Seeker’s Guide to Zen

The Original Frontier – A Serious Seeker’s Guide to Zen

A New Book by Zenkai Taiun Michael Elliston

Throw open the gate to the Original Frontier of your creative mind discovered by Buddha, handed down to successive generations through India, China, and Japan, and now to America, in this age of increasing uncertainty. A new, refreshing approach lays out the ancient secrets of the irreducibly simple method of Zen meditation, in easily accessible terms and digestible bites. Ranging from how Zen differs from popular meditations, to designing a contemporary Zen life, and including workarounds for all your excuses. Based on sound principles of direct sensory immersion, simply sitting still enough for long enough, this user’s manual for Zen is presented step by step, encompassing personal dimensions of practice, as well as social implications for yourself and others. Zen enables you to embrace ambiguity in daily life, and to enjoy benefits to your health and happiness. Zen is always contemporary, and holds the key to surviving, and thriving, in trying times.

The Original Frontier cover

The Original Frontier has won Gold in the Religion category in the 2021 Independent Book Publisher Awards! (also known as the “IPPY” awards)

The Ippy awards were created “To recognize the deserving but often unsung titles published by independent authors and publishers, and bring them to the attention of booksellers, buyers, librarians, and book lovers around the world. Judging is based on content, originality, design, and production quality, with emphasis on innovation and social relevance.”

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About the Author

Elliston author imageZenkai Taiun Michael J. Elliston sensei began his engagement with Zen in the 1960s, when he met Rev. Soyu Matsuoka, Roshi, founder and head teacher of the Chicago Zen Buddhist Temple, soon becoming his disciple. In the 1970s Elliston sensei founded the Atlanta Soto Zen Center, and in 2010 the Silent Thunder Order, of which he is currently the guiding teacher and Abbot, and which is one of the largest and most active organizations for lay practitioners of Zen in the US today.

Elliston was born into a working class family on a small farm in southern Illinois. He received undergraduate and graduate degrees from the Institute of Design at Illinois Tech in Chicago, and was the youngest professor in design at the U of I, Chicago Circle Campus, and the School of the Art Institute of Chicago. This background contributes to his unique approach to Zen, from a creativity and design-thinking viewpoint.

To listen to sensei’s audio podcast, “UnMind — Zen Moments with Great Cloud,” visit www.aszc.org/unmind

To read his latest blogs, visit https://storder.org/dharma-bytes/

If you are interested in fine art, you will find Elliston Roshi’s latest works at:

https://www.kailinart.com/elliston-roshi

Forward by Zoketsu Norman Fischer Roshi

Norman Fischer Roshi

This book is quite thoroughgoing and original, the thoughts and counter-thoughts of a person who loves his teacher, loves his tradition, values it absolutely, and is willing to say so in as many ways as he can think of.

“The book you have in your hands will carry you along. Its author, an American who’s spent a long lifetime practicing and wondering about Zen, writes with ease and seems to have thought through just about any implication, conception, or objection to Zen practice anyone could possibly have. Also, he spent many years studying with an important (if not so well known) Japanese Zen teacher, and represents that master’s teaching eloquently and faithfully — which in itself would make this book well worth your reading. But there’s more. To say something about this ‘more’ I want to sketch some historical background.

Michael Elliston’s teacher, Rev. Soyu Matsuoka, like the other Japanese Zen pioneers in America, was born in the early years of the twentieth century. He came to the United States in 1939. To leap across the ocean to America from Japan was, at that time, a far more enormous and daring undertaking than we can imagine from today’s perspective, when people travel all over the globe, and far-flung cultures seem to know each other’s business. Pre-War America and Pre-War Japan could scarcely have been further apart. Which raises the question: what compelled Rev Matsuoka and his contemporaries to do this outrageous thing?

To appreciate this you have to understand the enormity of the year 1868 in Japanese history. This was the year of the Meiji Restoration, a massive political and cultural reorganization, that lasted for generations, through which the Japanese undertook, with all their disciplined force, to end the project of trying to keep the Western Barbarian influence at arm’s length (an effort they were forced to give up when Admiral Perry’s warships sailed into Edo Bay in 1853) and instead absorb Western ways in order to surpass them.

Zen priests like Soyu Matsuoka who came of age in those days of cultural foment couldn’t help but question their tradition in light of the West. Studying with searching and critical eyes both Western religion and philosophy as well as Zen, they felt compelled to revise, renew, reenvision. They seemed intuitively to understand that they could not do this freely within their own cultural context, that they needed to see more directly through Western eyes. And so the most lively and daring among them gave up their secure careers at home to live permanently in the West — without any idea of how they would survive or what they would do. They were determined to bring Zen to the West — a Zen they knew they’d have to discover in the process.

I point this out in order to indicate that though the Zen transported from Japan by Rev Masuoka and others was authentic and traditional, it was also a Zen intentionally torn free from its traditional Japanese context, and was, therefore, at the same time, completely different. This new Zen reflected American values that these Japanese priests were drawn to — independence, creativity, iconoclasm, and personal experience — values that are indeed implied in traditional Zen literature but were not necessarily evidenced in Japan, or anywhere else in Asia. In this sense, these men (for they were, sadly, all men) were indeed pioneers, Japanese Daniel Boones — frontiersmen not only of the Original Frontier but of cultural and historical frontiers as well.

Enter then the second Zen pioneer this book offers — Michael Elliston, its author. Like Rev Matsuoka, Michael Elliston is perhaps typical of his generation, the generation of Americans that passionately and completely received Zen from the first Japanese teachers to come to the West. A lively and independent-minded person, searching for something beyond the traditional Midwestern virtues in which he was raised, and, not incidentally, a creative person, a visual artist and designer by trade (it is astonishing how many of the first generation American Zen students came from arts backgrounds; indeed Zen was initially understood in the West as more art form than religion) he encountered Rev Matsuoka while he was a design student in Chicago, and never looked back.

I hope all this is enough to indicate why this book isn’t exactly what it appears to be, a book about the Zen tradition for new or experienced students. Yes, it is that, but also, given its cultural matrices (post-Meiji Japan and 1960’s America) it is more — a record of two generations of seekers in two different realms of modern upheaval, two individuals who saw in Zen a path toward their own unique authenticity and individual vision lived in response to uncertain times.

Although Michael wonders, in the introduction, why in the world anyone would want yet another Zen book, and why, even if there were no Zen books at all, one would even be necessary, since Zen is about simple straightforward living— despite all this, The Original Frontier is full of useful ideas and reflections about what Zen is about and not about. (I especially appreciated the wide-ranging sections on Differentiating Zen Meditation and Deconstructing The Senses). It’s certainly the case that Zen, as Rev Matsuoka and Michael Ellison transmit it, is not a doctrine or a cut and dried set of teachings or techniques (as other schools of Buddhism can tend to be). The paradox is that though there is nothing to say about Zen, this book is quite thoroughgoing and original, the thoughts and counter-thoughts of a person who loves his teacher, loves his tradition, values it absolutely, and is willing to say so in as many ways as he can think of.”

Norman Fischer is a poet, senior Zen Buddhist priest, and author most recently of The World Could Be Otherwise: Imagination and the Bodhisattva Path (prose) and On a Train at Night (poetry).

An interview with the Author

A sample of the audiobook

What other Zen Teachers are saying

This book is valuable for senior Zen practitioners who wish to add perspective to their understanding, and for beginners who wish to read an in-depth book about Zen

Grace Jill Shireson Roshi

“The wonderful new volume, The Original Frontier, completes our collection of pioneering American Zen Ancestors by introducing us to Zengaku Soyu Matsuoka Roshi, through his influence on the author, Taiun Michael Elliston. Matsuoka, a Japanese Soto Zen master, studied with well-known Zen ancestors Sawaki Kodo Roshi and D.T. Suzuki, the influential scholar who introduced Rinzai Zen to the West. Matsuoka Roshi was one of the earliest Japanese masters to influence numerous Zen practitioners through his half-century of teaching in America, from the basics of Zen — posture breath and mind — to the detailed teachings of Dogen and the Buddha. Elliston offers a view of Matsuoka’s broad and deep understanding through his own life work and creative expression. Elliston artfully combines his personal understanding with the philosophical tenets of Zen. This book is valuable for senior Zen practitioners who wish to add perspective to their understanding, and for beginners who wish to read an in-depth book about Zen.”

Grace Schireson is a Zen Abbess, president of Shogaku Zen Institute (a Zen teachers’ training seminary), and a Clinical Psychologist. She received her doctorate in Clinical Psychology at the Wright Institute in Berkeley, California. She leads two practice centers and a retreat center under the Central Valley Zen Foundation.  She is the author of Zen Women: Beyond Tea Ladies, Iron Maidens and Macho Masters (Wisdom, 2009), and has published articles in Shambhala Sun, Buddhadharma and Tricycle magazines. She received Dharma Transmission from Sojun Mel Weitsman Roshi of the Suzuki Roshi Zen lineage.

Shohaku Okumura Roshi

“Soyu Matsuoka Roshi was one of the first pioneers of Japanese Soto Zen teachers who moved, in 1939, to the USA to teach Zen and offer Zen meditation to Americans, and continued to teach for several decades before and after World War II. He was known as a peacemaker and bridge-builder between the two nations. Taiun Michael Elliston has been studying, practicing, and teaching to succeed and maintain Matsuoka Roshi’s dharma legacy since the 1960s. This text offers a practical manual as a guide for both new and experienced Zen practitioners.”

Shōhaku Okumura is a Japanese Sōtō Zen priest and the founder and abbot of the Sanshin Zen Community located in Bloomington, Indiana.

James Ishmael Ford

“The Original Frontier offers a vivid presentation of the Zen teachings of Soyu Matsuoka Roshi, an overlooked American Zen pioneer, presented by one of his principal Dharma heirs. Building on his teacher’s guidance, Taiun Michael Elliston integrates his own insights from fifty years on the way, giving us a practical, often step-by-step guide to Soto Zen teachings and practices.”

James Ishmael Ford (Zeno Myoun, Roshi) is an American Zen Buddhist priest and a retired Unitarian Universalist minister.

Brad Warner

“Taiun Michael Elliston wonders in his book if the world really needs yet another book about Zen. I think it does. I’m glad people are still writing them. Every new book about Zen brings out a new perspective on the teaching. Elliston’s book comes out of one of the lesser-known Zen lineages that came to the United States before WWII. Elliston’s teacher Matsuoka Roshi was a pioneer in bringing Zen to the West, and yet he is often overlooked. It’s great to have a new book that sheds light on the unique point of view of this lineage.”

Brad Warner is an American Sōtō Zen monk, author, blogger, documentarian, and punk rock bass guitarist. He began practicing Zen Buddhism under his first teacher, Tim McCarthy, then later practiced with and received Dharma Transmission from Gudo Wafu Nishijima. In 2012, Warner moved to California and started Dogen Sangha Los Angeles.

Sangha Member Testimonials

I finally, am reading the words of a teacher that fulfill the needs of a student like myself. Although it is an introduction to Zazen, it is filled with your insights, warnings and encouragement. This is now something that goes on my shelf to pull out many times as my practice changes and deepens. So few words here, yet so much has been given to us.

Emphasizing contemporary American life and such (frontier spirit) may be a major contribution to the field.

“At times while reading this book I felt as though Elliston-rohsi was inside my head, guiding me step by step through a meditation practice, answering questions and pointing the way – the “middle way” –  through it all, and answering questions I didn’t even know I had”. And this is after 17 years on the cushion! For me, at my stage on the path, this manuscript was just perfect. I especially liked how it took the experience of meditation itself and discussed and explained this experience in more detail than I have ever read before.”

“A unique (and good!) approach to introducing Zen for both new practitioners and for guiding maturing students in Zen.  I’ve not seen this level of discussion about the fundamental nature of posture, breath, and attention in other texts.  Original Frontier explains clearly how the senses interact with the body in establishing a Zen practice.  And, unexpectedly, it answers questions that I did not realize I had about why posture, breath, and attention are foundational for Soto Zen.  I’ve recommended this to others with whom I practice.  So, for me, this ranks with  Suzuki’s “Zen Mind, Beginner’s Mind” and with Kubose’s “Everyday Suchness” for showing how Zen is part of everyday life. This is a book that introduces the fundamentals of Soto Zen practice to newcomers, and expands the Zen understanding of experienced practitioners so that we can all apply Zen in our daily lives.”

“We spent 4 months using the manuscript for Dharma study with a small group of formal practitioners within our Sangha. The manuscript’s concise discussion of practice methods and approaches, both on and off the meditation cushion, was well received by the group. It quickly became clear that the writing was very accessible and made connections for individuals of diverse cultures and levels of experience. Classic Buddhist terms such as Samadhi were demystified by being presented in unique ways which put them in a context of everyday practice and experience. All group members repeatedly expressed that the text proved helpful again and again toward clarifying previously misunderstood aspects of Zen and Buddhism.

I personally find the text presents true Zen practice in ways which I have not found in other contemporary books on the topic. Rather than demeaning Zen Buddhism by reducing it to “mindfulness”(often referred to as the Zen illness of falling into the moment), slipping into amateur psychology, providing mere entertainment or a haze of mystic lingo, the author’s depth of practice and experience, calmly draws the reader back to the essential yet so often neglected detailed aspects of Zen practice. Like a well-written user’s manual for software (or your lawnmower) this manuscript is just what you want in hand as you begin or continue Zen practice. Though accessible, no matter where we start as individuals, it inexorably guides us away from pitfalls and draws us back toward the deep end of the pool. Spending a decade studying and applying the guidance this text contains, would be time well spent, in my opinion.”

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